He employed a wide range of artistic genres : Art Deco, Neo-Historicism, « Sachplakat » and Cubism. However, the style he employed most often was Expressionism. According to the poster of the film, he also designed the sceneries of Zwischen Nacht und Morgen, a film from 1931.
He chose to artistically interpret the film’s emotional core, picking up the essentials, rather than faithfully, photographically, rendering a scene from the movie. Through exaggerated gestures and facial expressions as well as grotesque distortions of the characters, unreal surroundings, extreme lighting and an unnatural color scheme, he attempts to express the emotional states of the main characters. Which could be a quite accurate description of that highly influential movement from the first decades of the 20th century called Expressionism.
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