"Der
Querschnitt" (The Cross-Section) is considered the most
intellectually sophisticated illustrated magazine of the 1920s. The
gallery owner and art collector Alfred Flechtheim began publishing
the magazine in 1921, at first as a bulletin for his new Berliner
Galerie. In 1924, Hermann von Wedderkop took over the editorship at
Ullstein and "Querschnitt" soon established itself as a
modern zeitgeist magazine aimed at an elite interested in cultural
topics.
The issues were
marked by international literary contributions (for instance, by
Hemingway, Majakowskij, Ringelnatz, Benn, Lasker-Schüler, Proust,
Pound, Joyce), occasionally even in the original language, and often
translated or printed here for the first time. Esthetically
outstanding illustrations and photographs were accompanied by
sophisticated small talk in feuilleton style. Portraits of stars and
starlets provided esthetic appeal, as did the pictures of nudes or
athletes, or the street scenes captured in the unusual perspectives
of Neues Sehen ("New Vision"). Typical of "Querschnitt"
were also the often cryptic, occasionally provocative combinations of
photographs in the art print sections.
"Der
Querschnitt" was banned in 1936. The ostensible reason was
supplied by sarcastic definitions of foreign words in Issue No. 9,
which could be understood as references to the current political
situation. A final issue was produced in October of 1936, but not
delivered to newsstands.
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